Showing posts with label grateful dead. Show all posts
Showing posts with label grateful dead. Show all posts

Tuesday, April 28, 2020

Quarantine, Patti, and Grateful Dead Memories



It's been a long time since I've written a blog post.  Not much has inspired my creative writing muse lately I suppose. 

I mean certainly - I have had a lot of thoughts that have brought me joy, anger, sadness, and good old righteous indignation - but nothing blog-worthy.

Then last night, in our usual after-dinner pre-tv mode of chatting and having a cocktail, we started to reminisce. This is a busy time- or I mean- it used to be and memory-wise this time is filled with dates to recount.  Especially good times: fond memories of Passover tables filled with loved ones, spring tours of the Grateful Dead - indoor shows with outdoor lot festivities, the greening promise of spring, the end of the school year, and a few days ago, April 24, my friend Patti's birthday. 

A particular story comes to mind - it was 1982 - we were living together in our pretty rocking apartment in Brighton Massachusetts.  Let me set the scene.  Patti worked in a mental health facility for developmentally disabled adults. I worked in a placement center for teens who had broken the law and had to be removed from their homes for various reasons, most stemming from inconsistent parenting (putting it mildly). This was already my second job out of college, my first a disastrous stint as the assistant director of the Hillel at Northeastern University.  

Both Patti and I worked the second shift, that being a 3:00 - 11:00 pm shift at our respective jobs, and we didn't mind the hours.  We both liked to sleep late, and both enjoyed keeping those same hours on our days off.  This was Boston, and this was the early 80's so there wasn't a lot to do by the time we got home, but on rare occasions, we could go out, at that time.  Once driving home I heard that this new band "The Cars" were playing at a converted warehouse not far from where we lived and we changed our clothes and caught a very exciting show at midnight!

That April we were excited about seeing the Grateful Dead when they played Providence, Rhode Island. Imagine our delight when the Dead appeared on SNL the night before! Since the Dead weren't playing Boston on this tour, and Providence was only an hour away, this was an easy show to get to, and we had a blast. The concert was great and we wanted more. On Monday, we made a big sign on a bed sheet in groovy Grateful Dead lettering proclaiming "I Need a Miracle!" To my knowledge, no one had come up with that before, so yes, I do take credit for that, and you are welcome. 

There's a gap in my memory now, because I don't know why we didn't have work on Tuesday or Wednesday - (or did we use up sick days??) - and if Patti were still alive, obviously she'd remember a detail like this.  But Tuesday morning we got in my car with our little bags packed, our banner ready and drove to Hartford for the next two shows.  Hartford is only an hour and a half from where we lived so I suggested we stop in Sturbridge on our way.  I think I was thinking we'd explore Old Sturbridge Village - as I am a sucker for those kinds of things, but instead we did a little shopping and each got a jean jacket.  We then continued to Hartford.


Michael and Patti in 1983 at Duke - Patti in her jean jacket.

Me, today, in mine.  I added the fringe in about 1986. The haircut I gave myself two weeks ago.

Back then, I had every confidence that we would get tickets for the shows, and find an affordable motel room.  Patti never had that kind of optimism and felt my reckless ways would be our undoing. So first things first, we got a room.  Next, of course off to the Civic Center to find tickets.  

I remember parking in an indoor garage, and opening the trunk to get our banner out.  No sooner had we unfurled our masterpiece - then two guys appeared out of nowhere, laden with gear.  Patti backed away, but I assured her they were okay.  Tapers.  Our miracle happened right then - they provided us with two tickets for that night's show, if we would help them smuggle in their taping equipment.  Apparently they never search girls, and if I'd just hide this deck up my skirt, and Patti put these cables in her jeans, we could have the tickets.  Before Patti could say no, I was agreeing, saying it was Karma!  And did they have tickets for tomorrow?  (They didn't but rumor was that they were available at the box office.)

So we spent the next little while doing what Deadheads may do, hanging by the car, sharing stories and of course these guys promised us copies of the tapes. (Which, by the way, I am still waiting for...)

When it was time to go in, Patti was a wreck, and I was pretty confident, despite the discomfort of the tape deck tied to my waist.   Once we got through the gates, we gave the guys their stuff and went our separate ways, they went to the taper's section, we went to the box office where, sure enough, we snagged tickets for the next night.

Little scraps of paper with setlists, ticket stubs, and that same jean jacket are the tangible remnants of that time.  My memories, (dotted with holes) now written for you in this blog, are of an April holding promise, and positivity. The shows, now available on archive, are below.   

A few days later we came home and celebrated Patti's birthday.  I'm guessing we both went back to work, energized by our road trip and three awesome shows. 

Right now as I sit in the sixth week of quarantine and the 12th week of rotten weather I remember a line that rings more true every time I hear it.  "One way or another, this darkness got to give."

And just like that, the sun has come out, and it's time to get outside for a few minutes and collect some rays on my face before I go back to work.  Maybe April holds a little promise for me today after all.




Click Here for Providence Civic Center 4/15/82

Click here to listen to Hartford Civic Center 4/17-82

Click here for Hartford 4/18/82



Thursday, August 1, 2019

Happy Birthday Jerry


I should be working now... it's a Thursday... and obviously I'll get back to work after I finish this... 

But I can't help but take a minute and share some thoughts about Jerry on his birthday, today, August 1.  He has now been glorified, canonized, cartoonified, copied, and genre-ized.  Even non-Deadheads know who he is, and can be called either Jerry or Garcia and we all know who we mean.

Deadhead bars, bands, clothing and paraphernalia are more popular now than when he was with us, and this phenomenon seems to be growing as young people hop on the bus.  Thanks to Dead & Company,  Phil & Friends, Bob Weir & Wolf Brothers, all bands with original members who keep the music alive young crowds and old fans get to see our beloved icons still making music.

In honor of this day, and because I can, here is a radio interview Jerry did with the famous DJ Scott Muni and Jerry Garcia.  I am caller 3 or 4, you can hear it in its entirety  or watch a little video I made which has a guy before me and then my question.  

Short Video with Juliet's Section

Entire Audio click here:  https://soundcloud.com/juliet-cantor-barr/interview-with-jerry


So, that's it.  Back to work, until it's time to go out and dance and hang out with a few of my favorite friends and let the music wash over me, giving me a chance to find new meanings to old melodies. 

Happy Jerry Day, People!






Friday, September 2, 2016

Happy Dead-a-versary

August 26
Later today, I'm going to have a conversation ABOUT being a Deadhead for my friend's podcast.  I'm not sure what we will talk about... not sure I have anything new to add to the listening world's already story-heavy compendium.

"...and then there was this one show..."

"... and we were all hanging out in the parking lot..."

"... and you know, Jerry looked right at me during the most perfect Dew... I'm telling you..."

"my best friend and I, we got separated and then during Scarlet we looked up and we were dancing RIGHT next to each other... it was magical!"

I don't mean to make fun of us, but you've heard it all before.  When we are in the moment there's no denying that the magic is there, but telling the story now, well, it makes us all sound like those callers that David Gans so gamely puts up with every Sunday on his Sirius Radio call-in show.

It's been 38 years of my life deadicated to the music. I'm not sure that just being a fan that long makes me an expert on any particular aspect of it all.

Certainly it was not a phase (as my parents had surely hoped) nor did it die when Jerry "shuffled off the mortal coil" (to quote Robert Hunter*)

Well, I guess I'll pick out a few songs from over the years and see where the conversation takes us.




That went pretty well... we chatted and had a few laughs.  I forgot the year I got married... and mixed up one piece of GD info (see if you can find it...) but I think it was ok.   Much of what we talked about has been covered in my previous blogs in much more depth and detail, which you can find by putting key words into the search bar.  (Up top, next to the "B.")  In the meantime, maybe I'll find some photos to go with the podcast to put here when it is published.  Or, broadcast. Maybe the term is "dropped?" Whatever.



It took me two days, but I just listened to the story of my life.  And wouldn't you know it, here it is. September 2.  The anniversary of my first Grateful Dead show. Which I tell about in some detail in the podcast, and more in a previous blog.  I posted on Instagram, and my cousin and I wished each other a happy first show anniversary... we didn't know it at the time, but we were about to have our little minds blown that day in September, and our love for the Dead has kept us connected through the years and through many many shows.

If you want to know more about any of the stories I mentioned in the podcast (link below) try typing in keywords into the search bar in my blog.  I think the hardest part was talking about the day Jerry died.  It's interesting, and maybe not something I should be saying so publicly, that some of the happiest and saddest days of my life have been wrapped around the Grateful Dead.
That time that Sun Becker was wandering through the crowd at Doubleday field.


Our dog, Jerry.  We had him and loved him for 11 years.  Like the one he was named for, too short a time on this planet.





Shots from my first show 9/2/78.
Since the podcast will give you links to the shows I referenced, here's the link to my first show.  Go on... click here.

And of course the podcast itself: http://www.podbean.com/media/share/pb-iya87-623a64
Also now available on iTunes, and at www.Strangersstoppingstrangers.com.

So, thank you to Staci Smith for giving me, and others the chance to relive these memories, and share them.  Check out her podcast and don't forget to support your local live music! I've posted this before, but here's an interactive state-by-state map that shows you where you can hear GD music in a town near you! GD Tribute Bands Map



*For a full account of that beautiful letter from Robert Hunter to Jerry, a year after his passing, please keep reading.  I have cut and pasted the entire letter below.  It's a bit lengthy but beautiful and and poignant.  Even after the "days between."  I don't know how I came across it, but I'm glad I did.

Robert Hunter's letter to Jerry 1 year after his passing
Dear JG,
it’s been a year since you shuffled off the mortal coil and a lot has happened. It might surprise you to know you made every front page in the world. The press is still having fun, mostly over lawsuits challenging your somewhat …umm… patchwork Last Will and Testament. Annabelle didn’t get the EC horror comic collection, which I think would piss you off as much as anything. Nor could Dough Irwin accept the legacy of the guitars he built for you because the tax-assessment on them, icon-enriched as they are, is more than he can afford short of selling them off. The upside of the craziness is: your image is selling briskly enough that your estate should manage something to keep various wolves from various familial doors, even after the lawyers are paid. How it’s to be divided will probably fall in the hands of the judge. An expert on celebrity wills said in the news that yours was a blueprint on how not to make a will.
The band decided to call it quits. I think it’s a move that had to be made. You weren’t exactly a sideman. But nothing’s for certain. Some need at least the pretense of retirement after all these years. Can they sustain it? We’ll see.
I’m writing this from England, by the way. Much clarity of perspective to be had from stepping out of the scene for a couple of months. What isn’t so clear is my own role, but it’s really no more problematic than it has been for the last decade. As long as I get words on paper and can lead myself to believe it’s not bullshit, I’m roughly content. I’m not exactly Mr. Business.
I decided to get a personal archive together to stick on that stagnating computer site we had. Really started pouring the mustard on. I’m writing, for crying out loud, my diary on it! Besides running my ego full tilt (what’s new?) I’m trying to give folks some skinny on what’s going down. I don’t mean I’m busting the usual suspects left and right, but am giving a somewhat less than cautious overview and soapboxing more than a little. They appointed me webmaster, and I hope they don’t regret it.
There are those in the entourage who quietly believe we’re washed up without you. Even should time and circumstance prove it to be so, we need to believe otherwise long enough to get some self sustaining operations going, or we’ll never know for sure. It’s matter of self respect. Maybe it’s a long shot, but this whole fucking trip was a longshot from the start, so what else is new?
Your funeral service was one hell of a scene. Maureen and I took Barbara and Sara in and sat with them. MG waited over at our place. Manasha and Keelan were also absent. None by choice. Everybody from the band said some words and Steve, especially, did you proud, speaking with great love and candor. Annabelle got up and said you were a genius, a great guy, a wonderful friend, and a shitty father – which shocked part of the contingent and amused the rest. After awhile the minister said that that was enough talking, but I called out, from the back of the church, “Wait, I’ve got something!” and charged up the aisle and read this piece I wrote for you, my voice and hands shaking like a leaf. Man, it was weird looking over and seeing you dead!
A slew of books have come out about you and more to follow. Perspective is lacking. It’s way too soon. You’d be amazed at the number of people with whom you’ve had a nodding acquaintance who are suddenly experts on your psychology and motivations. Your music still speaks louder than all the BS: who you were, not the messes you got yourself into. Only a very great star is afforded that much inspection and that much forgiveness.
There was so much confusion on who should be allowed to attend the scattering of your ashes that they sat around for four months. It was way too weird for this cowboy who was neither invited nor desirous of going. I said good-bye with my poem at the funeral service. It was cathartic and I didn’t need an anti-climax.
A surreal sidelight: Weir went to India and scattered a handful of your ashes in the Ganges as a token of your worldwide stature. He took a lot of flak from the fans for it, which must have hurt. A bunch of them decided to scapegoat him, presumably needing someplace to misdirect their anger over the loss of you. In retrospect, I think Weir was hardest hit of the old crowd by your death. I take these things in my stride, though I admit to a rough patch here and there. But Bob took it right on the chin. Shock was written all over his face for a long time, for any with eyes to see.
Some of the guys have got bands together and are doing a tour. The fans complain it’s not the same without you, and of course it isn’t, but a reasonable number show up and have a pretty good time. The insane crush of the latter day GD shows is gone and that’s all for the best. From the show I saw, and reports on the rest, the crowd is discovering that the sense of community is still present, matured through mutual grief over losing you. This will evolve in more joyous directions over time, but no one’s looking to fill your shoes. No one has the presumption.
Been remembering some of the key talks we had in the old days, trying to suss what kind of a tiger we were riding, where it was going, and how to direct it, if possible. Driving to the city once, you admitted you didn’t have a clue what to do beyond composing and playing the best you could. I agreed – put the weight on the music, stay out of politics, and everything else should follow. I trusted your musical sense and you were good enough to trust my words. Trust was the whole enchilada, looking back.
Walking down Madrone Canyon in Larkspur in 1969, you said some pretty mindblowing stuff, how we were creating a universe and I was responsible for the verbal half of it. I said maybe, but it was your way with music and a guitar that was pulling it off. You said “That’s for now. This is your time in the shadow, but it won’t always be that way. I’m not going to live a long time, it’s not in the cards. Then it’ll be your turn.” I may be alive and kicking, but no pencil pusher is going to inherit the stratosphere that so gladly opened to you. Recalling your statement, though, often helped keep me oriented as my own star murked below the horizon while you streaked across the sky of our generation like a goddamned comet!
Though my will to achieve great things is moderated by seeing what comes of them, I’ve assigned myself the task of trying to honor the original vision. I’m not answerable to anybody but my conscience, which, if less than spotless, doesn’t keep me awake at night. Maybe it’s best, personally speaking, that the power to make contracts and deal the remains of what was built through the decades rests in other hands. I wave the flag and rock the boat from time to time, since I believe much depends on it, but will accept the outcome with equanimity.
Just thought it should be said that I no longer hold your years of self inflicted decline against you. I did for awhile, felt ripped off, but have come to understand that you were troubled and compromised by your position in the public eye far beyond anyone’s powers to deal with. Star shit. Who can you really trust? Is it you or your image they love? No one can understand those dilemmas in depth except those who have no choice but to live them. You whistled up the whirlwind and it blew you away. Your substance of choice made you more malleable to forces you would have brushed off with a characteristic sneer in earlier days. Well, you know it to be so. Let those who pick your bones note that it was not always so.
So here I am, writing a letter to a dead man, because it’s hard to find a context to say things like this other than to imagine I have your ear, which of course I don’t. Only to say that what you were is more startlingly apparent in your absence than ever it was in the last decade. I remember sitting in the waiting room of the hospital through the days of your first coma. Not being related, I wasn’t allowed into the intensive care unit to see you until you came to and requested to see me. And there you were – more open and vulnerable than I’d ever seen you. You grasped my hand and began telling me your visions, the crazy densely packed phantasmagoria way beyond any acid trip, the demons and mechanical monsters that taunted and derided, telling you endless bad jokes and making horrible puns of everything – and then you asked, point blank, “Have I gone insane?” I said “No, you’ve been very sick. You’ve been in a coma for days, right at death’s door. They’re only hallucinations, they’ll go away. You survived.” “Thanks,” you said. “I needed to hear that.”
Your biographers aren’t pleased that I don’t talk to them, but how am I to say stuff like this to an interviewer with an agenda? I sometimes report things that occur to me about you in my journal, as the moment releases it, in my own way, in my own time, and they can take what they want of that.
Obviously, faith in the underlying vision which spawned the Grateful Dead might be hard to muster for those who weren’t part of the all night rap sessions circa 1960-61 … sessions that picked up the next morning at Kepler’s bookstore then headed over to the Stanford cellar or St. Mike’s to continue over coffee and guitars. There were no hippies in those days and the beats had bellied up. There was only us vs. 50’s consciousness. There no jobs to be had if we wanted them. Just folk music and tremendous dreams. Yeah, we dreamed our way here. I trust it. So did you. Not so long ago we wrote a song about all that, and you sang it like a prayer. The Days Between. Last song we ever wrote.
Context is lost, even now. The sixties were a long time ago and getting longer. A cartoon version of our times satisfies public perception. Our continuity is misunderstood as some sort of strange persistence of an outmoded style. Beads, bell bottoms and peace signs. But no amount of pop cynicism can erase the suspicion, in the minds of the present generation, that something was going on once that was better than what’s going on now. And I sense that they’re digging for “what it is” and only need the proper catalyst to find it for themselves. Your guitar is like a compass needle pointing the strange way there. I’m wandering far afield from the intention of this letter, a year’s report, but this year wasn’t made up only of events following your death in some roughly chronological manner. It reached down to the roots of everything, shook the earth off, and inspected them. The only constant is the fact that you remain silent. Various dances are done around that fact.
Don’t misconstrue me, I don’t waste much time in grief. Insofar as you were able, you were an exponent of a dream in the continual act of being defined into a reality. You had a massive personality and talent to present it to the world. That dream is the crux of the matter, and somehow concerns beauty, consciousness and community. We were, and are, worthy insofar as we serve it. When that dream is dead, there’ll be time enough for true and endless grief.
John Kahn died in May, same day Leary did. Linda called 911 and they came over and searched the house, found a tiny bit of coke and carted her off to jail in shock. If the devil himself isn’t active in this world, there’s sure something every bit as mean: institutional righteousness without an iota of fellow feeling. But, as I figure, that’s the very reason the dream is so important – it’s whatever is the diametric opposite of that. Human kindness.
Trust me that I don’t walk around saying “this was what Jerry would have wanted” to drive my points home. What you wanted is a secret known but to yourself. You said ‘yes’ to what sounded like a good idea at the time, ‘no’ to what sounded like a bad one. I see more of what leadership is about, in the absence of it. It’s an instinct for good ideas. An aversion to bad ones. Compromise on indifferent ones. Power is another matter. Power is not leadership but coercion. People follow leaders because they want to.
I know you were often sick and tired of the conflicting demands made on you by contentious forces you invited into your life and couldn’t as easily dismiss. You once said to me, in 1960, “just say yes to everybody and do what you damn well want.” Maybe, but when every ‘yes’ becomes an IOU payable in full, who’s coffer is big enough to pay up? “Fuck ’em if they can’t take a joke!” would be a characteristic reply. Unfortunately, you’re not around to explain what was a joke and what wasn’t. It all boils down to signed pieces of paper with no punch lines appended.
I know what I’m saying in this letter can be taken a hundred ways. As always, I just say what occurs to me to say and can’t say what doesn’t. Could I write a book about you? No. Didn’t know you well enough. Let those who knew you even less write them. You were canny enough to keep your own self to yourself and let your fingers do the talking. Speaking of ‘personal matters’ was never your shtick.
Our friendship was testy. I challenged you rather more than you liked, having a caustic tongue. In later years you preferred the company of those capable of keeping it light and non-judgmental. I think it must always be that way with prominent and powerfully gifted persons. I don’t say that, for the most part, your inner circle weren’t good and true. They’d have laid down their lives for you. I’d have had to think about it. I mean, a star is a star is a star. There’s no reality check. If the truth were known, you were too well loved for your own good, but that smacks of psychologizing and I drop the subject forthwith
All our songs are acquiring new meanings. I don’t deny writing with an eye to the future at times, but our mutual folk, blues and country background gave us a mutual liking for songs that dealt with sorrow and the dark issues of life. Neither of us gave a fuck for candy coated shit, psychedelic or otherwise. I never even thought of us as a “pop band.” You had to say to me one day, after I’d handed over the Eagle Mall suite, “Look, Hunter – we’re a goddamn dance band, for Christ’s sake! At least write something with a beat!” Okay. I handed over Truckin’ next. How was I to know? I thought we were silver and gold; something new on this Earth. But the next time I tried to slip you the heavy stuff, you actually went for it. Seems like you’d had the vision of the music about the same time I had the vision of the words, independently. Terrapin. Shame about the record, but the concert piece, the first night it was played, took me about as close as I ever expect to get to feeling certain we were doing what we were put here to do. One of my few regrets is that you never wanted to finish it, though you approved of the final version I eked out many years later. You said, apologetically, “I love it, but I’ll never get the time to do it justice.” I realized that was true. Time was the one thing you never had in the last decade and a half. Supporting the Grateful Dead plus your own trip took all there was of that. The rest was crashing time. Besides, as you once said, “I’d rather toss cards in a hat than compose.” But man, when you finally got down on it, you sure knew how.
The pressure of making regular records was a creative spur for a long time, but poor sales put the economic weight on live concerts where new material wasn’t really required, so my role in the group waned. A difficult time for me, being at my absolute peak and all. I had to go on the road myself to make a living. It was good for me. I developed a sense of self direction that didn’t depend on the Dead at all. This served well for the songs we were still to write together. You sure weren’t interested in flooding the market. You knew one decent song was worth a dozen cobbled together pieces of shit, saved only by arrangement. I guess we have a few of those too, but the percentage is respect ably low. Pop songs come and go, blossom and wither, but we scored a piece of Americana, my friend. Sooner or later, they’ll notice what we did doesn’t die the way we do. I’ve always believed that and so did you. Once in awhile we’d even call each other “Mister” and exchange congratulations. Other people are starting to record those songs now, and they stand on their own.
For some reason it seems worthwhile to maintain the Grateful Dead structures: Rex, the website, GDP, the deadhead office, the studio … even with the band out of commission. I don’t know if this is some sort of denial that the game is finished, or if the intuitive impulse is a sound one. I feel it’s better to have it than not, just in case, because once it’s gone there’s no bringing it back. The forces will disperse and settle elsewhere. A business that can’t support itself is, of course, no business at all, just a locus of dissension, so the reality factor will rule. Diminished as we are without you, there is still some of the quick, bright spirit around. I mean, you wouldn’t have thrown in your lot with a bunch of belly floppers, would you?
Let me see – is there anything I’ve missed? Plenty, but this seems like a pretty fat report. You’ve been gone a year now and the boat is still afloat. Can we make it another year? What forms will it assume? It’s all kind of exciting. They say a thousand years are only a twinkle in God’s eye. Is that so?
Missing you in a longtime way.
rh





Tuesday, July 12, 2016

Four Concerts and a Funeral

Click here for The Wheel from Hartford 6/28/16 - thank you Dave Davis


Dead and Company are touring now and if you have caught any of the shows, either live or via your couch, you might agree that if it's not the real thing, it's close enough to pretend.  My journey with this iteration began in the fall with the Halloween shows at Madison Square Garden, and as much as I loved those, this last run has shown us that they've really become a band.  They've tightened up, brought out "new" old material and they look like they are having some fun out there.




Depending where you go, you can find a fairly authentic "Shakedown Street" taking over part of the parking lot,  with lots of groovy Dead-related chochtkes, and the obligatory veggie burrito stand, $3 beers and $1 waters.


I was happy to find a nice little hand-made pink-rose head wreath to replace the one I left in a hotel room after the last Furthur tour.
My tour took me to Saratoga, two shows at Citifield and Hartford Connecticut.  Each one is a story in itself.  The people, the music, the scene... it was a rainbow full of sound.



So I will start with Saratoga, and the perfect symmetry of the place, the music and my personal story of  NOT meeting Bob Weir.

Seeing Dead and Company at Saratoga Performing Arts Center on June 21 was not the first time I had ever been there.  I had seen Furthur play there a few years ago, and way back in July of 2001 --- I was lucky enough to see the double bill of Phil and Friends and Ratdog play at SPAC.

Since there WAS a band called Ratdog, Bob Weir and the recently departed Rob Wasserman (bass) were the founding members of this sometime trio which included Jay Lane (drums), and usually others including Jeff Chimenti (keyboard) and Steve Kimock (guitar).  The band formed in 1995 (before Jerry died, actually) and toured heavily except when Furthur was going strong.  This particular summer the group also included Mark Karan and Kenny Brooks.

Phil Lesh has been playing with assorted friends since 1998, and too many to name here.  The summer I saw them at SPAC the friends included John Molo (drums), Warren Haynes (guitar) Jimmy Herring (guitar) and Rob Barraco (keys) - a favorite line-up that would later be known as the Q - for the Quintet.  Or maybe it already was then, but not to me!

But wait.  There's more.  After years of seeing the Grateful Dead, and now Ratdog, and, okay, me being maybe just a little starry-eyed over Bob Weir, a conversation that had been going on in our family finally came back to the surface.

Turns out my husband Michael's brother was really good friends with Rob Wasserman.  As in REALLY good.  Backstage pass kind of good.  Brother-in-law had suggested many times we go meet Rob, as he is a super nice guy.  I never said yes to his offer, but this time, at my husband's urging, we decided to go for it.  Get the backstage passes.  Meet Rob Wasserman.  Maybe even meet Phil Lesh and --gulp -- Bob Weir too!

I don't remember the drive up to Saratoga.  I don't remember where we stayed.  I remember going to the box office and getting our passes, which were stickers we put on our jeans.  I have to admit I don't remember the first set at all, because I was a nervous wreck.   A few times during Bobby's set, my husband asked me if I wanted to watch from the side of the stage.  I definitely did not.

As we neared the set break, it was now or never. I had my camera in my shaking hand.

Going backstage was surprisingly easy.  As I stood there, trying to be invisible, I saw Bob Weir coming off the stage.  He greeted a few friends.  He looked a little sweaty and really --- real! And wonderful.  I took a few photos and tried to hide and not make eye contact. After I collected myself enough, we went further backstage to find Rob Wasserman.


While my head was swimming from this close encounter with my idol, Michael awkwardly asked a security guy where Rob was, when he was standing right next to us.  Oh well.  He pretended not to have heard. He was hard to miss, as he stood very tall and sightly disheveled.  And as discombobulated as I had been a minute before, Rob's kind, calm way immediately brought me back to earth. He remembered who we were, and thanked us for coming. I had brought my "Trios" CD with me and asked him to sign it, which he was happy to do.
Can you see where he signed it?  All I had was a red sharpie... 
It says "Juliet Peace Rob Wasserman"

We chatted for a minute or two more, but he seemed to be ready to go back into the Green Room.  Before we left, he asked if we wanted to meet Bob.  At the same time, Michael said "Yes!" and I said, "No!" leaving Rob looking a little confused.  We thanked him for the passes and started to walk back the way we came.

I put the CD back in my bag.  "I should have taken a picture." I said, looking at the camera that had been in my hand and as I looked up, there, right in front of us was none other than Phil Lesh.  He was getting ready to go onstage, looking great in a red, white and blue tie-dye.  I snapped a photo.  Bob was there too, mixing it up with some fans.  I heard Michael behind me saying, "Just say hello!"




It was all too much.  My head was swimming.  My insides were emulsifying.  My hands were trembling.  Michael brought me to the beer garden and sat me down while he got me something to drink.  I don't remember much about Phil's set either except that Bob sat in.  Luckily I have the magic of the Internet to see what they played that night. (See below for set lists.)

After that, I never again used my connection to the kind Rob Wasserman to go backstage, much to the chagrin of my friends.

How heartbreaking that we lost this mighty talent on June 30.  His kindness and gentle ways were evident even in my short meeting with him, and I know that those who really knew him must be devastated.   Whenever we lose an artist we go to their art to help with the process of mourning, and so I bring you some tracks off of his CD Trios...  a solo piece, a piece with Jerry Garcia and Edie Brickell and a piece with Neil Young and of course, Bob Weir.  The links are at the bottom of this blog.

So as we move back into the present, I am grateful to have one more Dead & Co. show coming up, at Fenway Park... I'm pretty excited about that, I have to say.  I get to finally go to that great stadium without having to see the Red Sox- plus I will have a blast with all my New England Deadhead friends.

Just dust off those rusty strings one more time boys...



Eventually I'd get to speak to Bobby, but that's another story!



Songs off of the Trios Album- I attached some cool photos to the songs as a bonus.  Isn't technology amazing?

(I Can't Get No) Satisfaction - Rob Wasserman
Zillionaire - Rob Wasserman, Jerry Garcia, Edie Brickell
Easy Answers - Rob Wasserman, Bob Weir, Neil Young









Ratdog's Set that Night:
Blackbird, Me and My Uncle, Friend of the Devil, Bury Me Standing > Good Morning Little Schoolgirl > Playin in the Band > Uncle John's Band > October Queen > The Deep End > Even So > He's Gone > The Other One > Bass/Drums > Samson and Delilah, Lady with a Fan > Terrapin > Uncle John's Band
(from ratdog.org)
Phil's Set that Night: 
Set 1: Jam > Shakedown> Wheel Jam, *Music Never Stopped> *Good Lovin', Low Spark> Tenessee Jed, Tons Of Steel
Set 2: Viola> Mars Jam> Viola> Mountain Jam> Dupree's, Night Of 1000 Stars> Space Jam> Lucy In The Sky> Mason's Children, The Wheel> Other One Chorus> Wheel Reprise> Sugaree
E: Casey Jones
*with Bob Weir
Ratdog Opened )
from philzone.com

Here we are, sitting in the fenced off beer garden, a garbage bag and two very early photo bombers in the background. 




Wednesday, February 10, 2016

You're Gonna Miss Me When I'm gone


It was one of those times. I had some time to kill before tickets went on sale before the Dead & Company Summer tour and I needed a box to send my son a few things (including his Valentine's Day candy).  I emptied a box that had been sitting full of papers since I don't know how long.

Old lesson plans.  Post-it notes. A few packets of Emergen-C.  Some spare change. An earring that had been missing for about 6 years. (It's lonely mate, has been sitting, waiting in my jewelry box. They were reunited on my head today, joyfully.)  Then at the bottom, some really old stuff.  A few report cards from middle school years (my kids are in their 20's).  A souvenir key chain from my parents trip to the Grand Canyon.  (WHEN was that, and who did they give it to??)  A deck of cards that was in perfect condition from a trip to Israel.  And, at the bottom of the box, this photo.

From the moment I saw it, I knew exactly when it was taken.

June 18, 1995.

That was the last time I saw Jerry Garcia play with the Grateful Dead.  At the Meadowlands in East Rutherford, NJ.   I even know why it is not with the rest of the photos from that day, or in the album.

It's TERRIBLE!

My friend Patti doesn't look great, and yeesh... me with those high wasted shorts and a fanny pack. Worst of all, we've been captured on the port-a-potty line!  I clearly pulled the photo out from the rest when it was time to show off the pictures to everyone, and hid it in a box.

Memories are flooding back.  I remember saying to my husband not to take the picture!  I remember the two great batik t-shirts I got... I still have them... tho they are now relegated to the gym or to sleep-wear due to the holes.  I remember hanging out by our van, our beloved party van, drinking and eating and watching people play hacky-sack nearby.



The cops were pretty bad, but not as bad as they had been in years earlier.  We had a great time in that parking lot.  When we got in, our baby-sitter (the one who was NOT available, obviously) was sitting two rows ahead of us!   Unfortunately, the concert was not that great.  It had its moments, but Jerry was in a bad way, and if you listen to the show (the link is below) you can tell he's in rough shape.  After seeing hundreds of shows, I drove home (only twenty minutes away) and I'm sure I thought - "Oh well, the next one will be better."


Jerry, in his better days, 1990.


So, here I was, about to order (HOPEFULLY) tickets to see the boys, now known as Dead & Company, play one more summer tour, and in my hands, now getting shaky, were holding this relic. 

And. Just two days away from Patti's yahrtzeit (the anniversary of her death).

Karma is a crazy thing.

For the last two big "Grateful Dead" events, GD50 and Dead & Co. - I couldn't get tickets no matter how I tried.  Even for the upcoming Phil's birthday, for the first time I was SOL.

But somehow, this time, with this terrible picture of Patti and me, waiting on the porta-john line, goofing around and having a blast, I got lucky.  Looks like I'll be back on tour with Dead & Co.  I'll be with new friends and old, and Patti in spirit. 

The music never stops.  It changes, it twists and turns and I am thankful every single time I hear Bob, Phil, Mickey and Billy bring back the magic.  See you on tour!

Event image





This is the link to the last show I saw - 6/18/95 at the Meadowlands.
https://archive.org/details/gd95-06-18.aud.2543.sbeok.shnf

This is a link to the upcoming tour.  I think you all should go.  To Bonnaroo. :-)
http://www.deadandcompany.com/

Thursday, July 23, 2015

Hashtag GD 50

Did you hear that?

Yes, it's a collective sigh of relief.  Deadheads woke up on Monday, July 6 and the world seemed to still be turning on its axis even though presumably we said "fare thee well" to the boys the night before in a dramatic swan-song stroll down memory lane which was either seven months or 50 years in the making.
This guitar was later auctioned off to benefit the Rex Foundation.

Even so, still today, over two weeks later people are still posting a few more pictures on Instagram. Still tweeting out a few more clever song lyrics will make us all "favorite" it and retweet it to our own favorite Deadheads.  Facebook is still going strong with people's videos, and newspaper articles, bios, set lists, and a few late concert reviews.  Everyday is hashtag throw back whatever... and I have a feeling we haven't seen the end of it.  Being a Deadhead has become so mainstream, even the police cars in the San Francisco Bay Area have little stealies on them.
Yes, pretty mainstream, I'd say.


How were the shows?

This is not a review of the concerts, you can get that anywhere. I thought that all five were great.  The saga of my getting, or more precisely, not getting tickets aside*, the California scene was great, and I wish I could have enjoyed the Chicago scene as well, but it was not in the cards for me. If they had played another weekend in New York (or NJ) I believe they could have sold that out too. But frankly I'm not sure I could have handled the drama.  I read in one of the reviews that for many Deadheads, these will be their last stadium shows.  That is certainly true for me**.  The profound number of people was just staggering. All those humans!  Spending that much on parking, food, and beverages. $13 for undrinkable beer!!! Eternal lines at the concession stands and bathrooms.  My son said "Mom, stadium shows are a young man's game," as he left me in section 413 and deftly made his way almost to the floor for the entirety of Sunday's Santa Clara show.  So, it is "Fare Thee Well" to one thing... and that is humongous stadium shows and me ever touching a Bud Lite again!




  

But getting back to the shows themselves... I loved them all.   They were interesting... they were eclectic...mistakes were made and corrected... they were perfect in their imperfection.  The first show in California featured obscure rarities that only true Deadheads would grok.   July 3rds show in Chicago was all original Grateful Dead songs (no covers).  Only two repeats in the entire five nights (Cumberland Blues and Truckin')!!  The set lists were artfully created and flowed together***.  The drum solos boomed and shook like old times.  Fireworks lit up the sky and even the Empire State Building joined the fun.   We sang along and we laughed and cried.  We missed Jerry and yet we felt him there.  We hugged our friends and we really did stop strangers just to shake their hands.  Maybe we hugged them too.

And what about Jerry?

Unbelievably, Jerry has been gone 20 years next month, and it's obvious that the music hasn't stopped and never will. To those who continue to say things like, "well he doesn't play it like Jerry," or "he just doesn't sound like Jerry," I say once and for all THAT'S RIGHT! And no one ever will.  If you want to hear Jerry, play one of the thousands of hours of unbelievable musical gifts he left us.  If you want to hear some guys who come pretty close to playing and sounding just like Jerry, check out John Kadlecik or Jeff Mattson.  But it's really time to quit whining.  Nothing's gonna bring him back.


An impromptu tribute to the man we were missing.
Sunday's show included a moment of silence, and they showed photos of all those members of the band and crew who had died.  It was very touching.


And what about Trey?
From the first announcements until the last bow, that grinning ginger has been in the Deadhead limelight.   Any writer who had the audacity to call him "the new Jerry" or say he "took Jerry's place" is a piker who didn't do his homework. But Trey's guitar playing was top notch, and his voice is his own.  And did he look like he was having fun or what???  I still will not become a Phish fan anytime soon, but I was happy with the sound, the vibe and the energy that I saw and heard onstage.
I found this on Instagram and it cracked me up!
Peter Shapiro: God or Grinch
Peter Shapiro, the impresario of  my favorite local music venue, The Capitol Theatre, and it's super cool little brother, Garcia's, has become the modern day Bill Graham.  A Deadhead who made this happen and tried to do the right thing along the way.   A lot of people don't like him, and I've read some downright ugly things about him, but hey, he pulled off the whole shindig, and has been bringing us amazing shows.  And like him or don't, but the truth is it's never okay to slander someone, or use the anti-Semitic language I have read when referring to him or to anyone.  I can't consider people who hide behind names like Kosmyk Charl-E and spew hate the true Deadheads. 


So now what?

Is the music really going to stop now? Don't be silly. As of this moment I have tickets in hand (well, not in hand, or how would I be typing?) to see Phil Lesh, Bob Weir, and Billy Kreutzmann, all before the end of the year!  Does that sound like #faretheewell???  It's news to basically NO ONE that Bob Weir is planning a tour with John Mayer, Mickey and Billy.  There's a renewed interest in the Grateful Dead that we haven't seen in years.  (I'm not even sure I like it, to be honest!)  There are rumors of another GD tour! (Again, see **)  In the meantime if you are in the mood for some good old Grateful Dead music and you want it live and local, check out this website http://gratefuldeadtributebands.com/.  You can support local talent and get nice and close to the stage too!

My relationship with the Grateful Dead has had a lot of ups and downs over the last seven months. I'm ready to ease back in to my comfortable routine of normal obsession now and focus on the rest of my life with balance and clarity.  The music of the Grateful Dead will continue to move and inspire me, and I will continue to pay ridiculous prices to see "the Core Four" play as long as they continue to play, either apart, or, if we are so lucky, together.  


I'll leave you with this gorgeous gem.  You may have seen it already, but enjoy it again.  Ripple video - Playing for Change


My son and me, right after we found our seats in Levi's stadium, about an hour pre-show.

Our mini-tailgate in one of the massive lots in Santa Clara.




*You can read about that in this blog.
**Unless they "surprise us" and announce more shows... check out this article!
*** Okay, so you know what? I bet  we all have our personal comments about the set lists.  I myself may have said "It's too soon for Standing on the Moon.  And BOB should be singing it!" But let's keep it positive, eh folks?