Showing posts with label phil lesh and friends. Show all posts
Showing posts with label phil lesh and friends. Show all posts

Thursday, August 1, 2019

Happy Birthday Jerry


I should be working now... it's a Thursday... and obviously I'll get back to work after I finish this... 

But I can't help but take a minute and share some thoughts about Jerry on his birthday, today, August 1.  He has now been glorified, canonized, cartoonified, copied, and genre-ized.  Even non-Deadheads know who he is, and can be called either Jerry or Garcia and we all know who we mean.

Deadhead bars, bands, clothing and paraphernalia are more popular now than when he was with us, and this phenomenon seems to be growing as young people hop on the bus.  Thanks to Dead & Company,  Phil & Friends, Bob Weir & Wolf Brothers, all bands with original members who keep the music alive young crowds and old fans get to see our beloved icons still making music.

In honor of this day, and because I can, here is a radio interview Jerry did with the famous DJ Scott Muni and Jerry Garcia.  I am caller 3 or 4, you can hear it in its entirety  or watch a little video I made which has a guy before me and then my question.  

Short Video with Juliet's Section

Entire Audio click here:  https://soundcloud.com/juliet-cantor-barr/interview-with-jerry


So, that's it.  Back to work, until it's time to go out and dance and hang out with a few of my favorite friends and let the music wash over me, giving me a chance to find new meanings to old melodies. 

Happy Jerry Day, People!






Tuesday, July 12, 2016

Four Concerts and a Funeral

Click here for The Wheel from Hartford 6/28/16 - thank you Dave Davis


Dead and Company are touring now and if you have caught any of the shows, either live or via your couch, you might agree that if it's not the real thing, it's close enough to pretend.  My journey with this iteration began in the fall with the Halloween shows at Madison Square Garden, and as much as I loved those, this last run has shown us that they've really become a band.  They've tightened up, brought out "new" old material and they look like they are having some fun out there.




Depending where you go, you can find a fairly authentic "Shakedown Street" taking over part of the parking lot,  with lots of groovy Dead-related chochtkes, and the obligatory veggie burrito stand, $3 beers and $1 waters.


I was happy to find a nice little hand-made pink-rose head wreath to replace the one I left in a hotel room after the last Furthur tour.
My tour took me to Saratoga, two shows at Citifield and Hartford Connecticut.  Each one is a story in itself.  The people, the music, the scene... it was a rainbow full of sound.



So I will start with Saratoga, and the perfect symmetry of the place, the music and my personal story of  NOT meeting Bob Weir.

Seeing Dead and Company at Saratoga Performing Arts Center on June 21 was not the first time I had ever been there.  I had seen Furthur play there a few years ago, and way back in July of 2001 --- I was lucky enough to see the double bill of Phil and Friends and Ratdog play at SPAC.

Since there WAS a band called Ratdog, Bob Weir and the recently departed Rob Wasserman (bass) were the founding members of this sometime trio which included Jay Lane (drums), and usually others including Jeff Chimenti (keyboard) and Steve Kimock (guitar).  The band formed in 1995 (before Jerry died, actually) and toured heavily except when Furthur was going strong.  This particular summer the group also included Mark Karan and Kenny Brooks.

Phil Lesh has been playing with assorted friends since 1998, and too many to name here.  The summer I saw them at SPAC the friends included John Molo (drums), Warren Haynes (guitar) Jimmy Herring (guitar) and Rob Barraco (keys) - a favorite line-up that would later be known as the Q - for the Quintet.  Or maybe it already was then, but not to me!

But wait.  There's more.  After years of seeing the Grateful Dead, and now Ratdog, and, okay, me being maybe just a little starry-eyed over Bob Weir, a conversation that had been going on in our family finally came back to the surface.

Turns out my husband Michael's brother was really good friends with Rob Wasserman.  As in REALLY good.  Backstage pass kind of good.  Brother-in-law had suggested many times we go meet Rob, as he is a super nice guy.  I never said yes to his offer, but this time, at my husband's urging, we decided to go for it.  Get the backstage passes.  Meet Rob Wasserman.  Maybe even meet Phil Lesh and --gulp -- Bob Weir too!

I don't remember the drive up to Saratoga.  I don't remember where we stayed.  I remember going to the box office and getting our passes, which were stickers we put on our jeans.  I have to admit I don't remember the first set at all, because I was a nervous wreck.   A few times during Bobby's set, my husband asked me if I wanted to watch from the side of the stage.  I definitely did not.

As we neared the set break, it was now or never. I had my camera in my shaking hand.

Going backstage was surprisingly easy.  As I stood there, trying to be invisible, I saw Bob Weir coming off the stage.  He greeted a few friends.  He looked a little sweaty and really --- real! And wonderful.  I took a few photos and tried to hide and not make eye contact. After I collected myself enough, we went further backstage to find Rob Wasserman.


While my head was swimming from this close encounter with my idol, Michael awkwardly asked a security guy where Rob was, when he was standing right next to us.  Oh well.  He pretended not to have heard. He was hard to miss, as he stood very tall and sightly disheveled.  And as discombobulated as I had been a minute before, Rob's kind, calm way immediately brought me back to earth. He remembered who we were, and thanked us for coming. I had brought my "Trios" CD with me and asked him to sign it, which he was happy to do.
Can you see where he signed it?  All I had was a red sharpie... 
It says "Juliet Peace Rob Wasserman"

We chatted for a minute or two more, but he seemed to be ready to go back into the Green Room.  Before we left, he asked if we wanted to meet Bob.  At the same time, Michael said "Yes!" and I said, "No!" leaving Rob looking a little confused.  We thanked him for the passes and started to walk back the way we came.

I put the CD back in my bag.  "I should have taken a picture." I said, looking at the camera that had been in my hand and as I looked up, there, right in front of us was none other than Phil Lesh.  He was getting ready to go onstage, looking great in a red, white and blue tie-dye.  I snapped a photo.  Bob was there too, mixing it up with some fans.  I heard Michael behind me saying, "Just say hello!"




It was all too much.  My head was swimming.  My insides were emulsifying.  My hands were trembling.  Michael brought me to the beer garden and sat me down while he got me something to drink.  I don't remember much about Phil's set either except that Bob sat in.  Luckily I have the magic of the Internet to see what they played that night. (See below for set lists.)

After that, I never again used my connection to the kind Rob Wasserman to go backstage, much to the chagrin of my friends.

How heartbreaking that we lost this mighty talent on June 30.  His kindness and gentle ways were evident even in my short meeting with him, and I know that those who really knew him must be devastated.   Whenever we lose an artist we go to their art to help with the process of mourning, and so I bring you some tracks off of his CD Trios...  a solo piece, a piece with Jerry Garcia and Edie Brickell and a piece with Neil Young and of course, Bob Weir.  The links are at the bottom of this blog.

So as we move back into the present, I am grateful to have one more Dead & Co. show coming up, at Fenway Park... I'm pretty excited about that, I have to say.  I get to finally go to that great stadium without having to see the Red Sox- plus I will have a blast with all my New England Deadhead friends.

Just dust off those rusty strings one more time boys...



Eventually I'd get to speak to Bobby, but that's another story!



Songs off of the Trios Album- I attached some cool photos to the songs as a bonus.  Isn't technology amazing?

(I Can't Get No) Satisfaction - Rob Wasserman
Zillionaire - Rob Wasserman, Jerry Garcia, Edie Brickell
Easy Answers - Rob Wasserman, Bob Weir, Neil Young









Ratdog's Set that Night:
Blackbird, Me and My Uncle, Friend of the Devil, Bury Me Standing > Good Morning Little Schoolgirl > Playin in the Band > Uncle John's Band > October Queen > The Deep End > Even So > He's Gone > The Other One > Bass/Drums > Samson and Delilah, Lady with a Fan > Terrapin > Uncle John's Band
(from ratdog.org)
Phil's Set that Night: 
Set 1: Jam > Shakedown> Wheel Jam, *Music Never Stopped> *Good Lovin', Low Spark> Tenessee Jed, Tons Of Steel
Set 2: Viola> Mars Jam> Viola> Mountain Jam> Dupree's, Night Of 1000 Stars> Space Jam> Lucy In The Sky> Mason's Children, The Wheel> Other One Chorus> Wheel Reprise> Sugaree
E: Casey Jones
*with Bob Weir
Ratdog Opened )
from philzone.com

Here we are, sitting in the fenced off beer garden, a garbage bag and two very early photo bombers in the background. 




Saturday, May 31, 2014

Strangers Stopping Strangers

For most people, it was a typical Wednesday night commute.  Not for me, since I don't live or work in New York City.  I was on the train, heading in to go to a concert, to see my favorite bass player*, Phil Lesh, in  a concert in Central Park.  So while most people were just thinking about getting home, I was excited to meet my brother and friends for a fun night under the stars, listening to my favorite music.  I knew the band Phil (we all call him Phil, with love and reverence) had put together would be stellar, and historically, New York City seemed to bring the best out of him.

The ride from my town to Secaucus was uneventful.  I texted with the people I was going to meet, and did a crossword puzzle.  At Secaucus I had to change trains for New York's Penn Station.  This is a 16 minute trip that delivers you right underneath Madison Square Garden.  It's the best if your concert is right there, but still pretty handy to get anywhere else, because it's a subway hub.  (Not that I have the slightest idea which subway lines go where, but luckily, my brother does.)

It was on that 16-minute ride that something somewhat extraordinary happened.

I found a seat right away, and gave the guy already sitting in the other seat the "mind if I sit here?" look.  He moved his stuff away, but apparently he did mind. He was wearing khakis, and a short-sleeve plaid shirt, and now put his brief case on his lap to make room for me.  He gave me a sort of put-off quasi-disgusted look, as if I just ruined his day.  (Yes, I had showered that day, and NO I was not wearing patchouli oil.) I sat down, putting my bag with the concert supplies on the floor, and my pocketbook on my lap.  He took his phone out and was furiously texting or emailing. 

As the train started to go, we sat like that, in silence, ignoring each other. I was lost in thought.  He was typing away on his phone.  

About 6 minutes into the ride the door between the cars opened, and a man came stumbling into our car. He seemed to be an older guy, pants drooping down, three or four shirts sloppily layered on, with a torn jacket over all of them. As I was on the aisle, I could smell him as he walked by, an unpleasant smell of urine and something else... beer maybe?  His hand was out, and I remember his hands most of all. Gnarled knuckles, and fingernails that were too long.  They looked like old man's hands. I saw two different sleeves, frayed and torn. 

And he was shouting this up and down our car,  "I need two-fifty for the 3 train uptown. I need two-fifty for the 3 train uptown. Who's gonna give me my two-fifty for the 3 train uptown?"

Everyone looked down.  Or out the window.  Or at their iPhones, which don't work under the Hudson River. But I didn't look away. I looked at this guy.  Wandering on a train asking for $2.50. 

And I did what I always do.

I took out my wallet.  And if the story ended there, I would not be writing about it.

But as I was getting money out for this man in need, Mr. Plaid Shirt was taking out his wallet, and saying to me, "I'll split the difference with you."  

I just looked at him, and started to smile.  

He continued, "If you will give it to him."

I took the dollar from Mr. Plaid Shirt and took a dollar from my wallet, and stood up and yelled, "Excuse me, sir?" and the man stumbled back to where we were sitting and took the money.  He had almost left the car when he remembered to mumble, "Gah bleh you" before the door slammed shut.

Plaidman was a different person now. He smiled at me and said, "I was making all kinds of excuses in my head about why I couldn't give him the money.  I can't reach my wallet.  We're almost at Penn Station. What if it's not safe to give it him?  What if he just spends it on drugs?  Then I saw how easy it was for you to do it and I realized I could do it too. Thank you."

"Yea," I said, "It's not up to us to decide what he might spend it on, it's sad enough he's at the point where he needs to beg. I give it to him and remember to be grateful that I can."

My new friend smiled and admitted that he always wants to give, but he just walks past "those people."

Remembering the countless stories I'd heard from people who had found themselves homeless, I said, "If, God forbid, I am ever down and out, I hope my acts of kindness will come back to me.  Maybe your act today will start a chain of good deeds."

"I was thinking that maybe by helping that guy, I just prevented something really bad from happening to me," he replies.

"Oh, I never thought of that.  So if you go and have a fantastic day, you'll know you got your reward?"

"Something like that!" he says, and he is smiling now.

"I picture you walking around the city, just barely missing pianos and anvils falling on your head!  You could write a children's book about that!" I say, now really enjoying the idea of doing a mitzvah and protecting yourself from harm.

"I think that's for other people to do."

We are almost at Penn Station.  We are both standing up near the door.  I wonder if he will be empowered to give to the next person in need.  He is certainly a different person than the one I sat next to 14 1/2 minutes ago.

We say good-bye.  He goes off to his life, protected, I hope by his act of kindness.  I go off to mine, already in progress.

As a reward for my act of kindness, Phil plays a song just for me.  I hold it close as the music and words pour into my soul and fill me with joy. 

And for a little while, all is right with the world.


Photo credit: Jack Baribault
Pictured: Jack, Peter White, me, and my brother Geoffrey's back. I forget why we are showing the number one. Maybe someone can enlighten me. 



*Phil Lesh is my favorite bass player, except for my cousin, Rick Cantor.