Showing posts with label Deadhead. Show all posts
Showing posts with label Deadhead. Show all posts

Tuesday, April 28, 2020

Quarantine, Patti, and Grateful Dead Memories



It's been a long time since I've written a blog post.  Not much has inspired my creative writing muse lately I suppose. 

I mean certainly - I have had a lot of thoughts that have brought me joy, anger, sadness, and good old righteous indignation - but nothing blog-worthy.

Then last night, in our usual after-dinner pre-tv mode of chatting and having a cocktail, we started to reminisce. This is a busy time- or I mean- it used to be and memory-wise this time is filled with dates to recount.  Especially good times: fond memories of Passover tables filled with loved ones, spring tours of the Grateful Dead - indoor shows with outdoor lot festivities, the greening promise of spring, the end of the school year, and a few days ago, April 24, my friend Patti's birthday. 

A particular story comes to mind - it was 1982 - we were living together in our pretty rocking apartment in Brighton Massachusetts.  Let me set the scene.  Patti worked in a mental health facility for developmentally disabled adults. I worked in a placement center for teens who had broken the law and had to be removed from their homes for various reasons, most stemming from inconsistent parenting (putting it mildly). This was already my second job out of college, my first a disastrous stint as the assistant director of the Hillel at Northeastern University.  

Both Patti and I worked the second shift, that being a 3:00 - 11:00 pm shift at our respective jobs, and we didn't mind the hours.  We both liked to sleep late, and both enjoyed keeping those same hours on our days off.  This was Boston, and this was the early 80's so there wasn't a lot to do by the time we got home, but on rare occasions, we could go out, at that time.  Once driving home I heard that this new band "The Cars" were playing at a converted warehouse not far from where we lived and we changed our clothes and caught a very exciting show at midnight!

That April we were excited about seeing the Grateful Dead when they played Providence, Rhode Island. Imagine our delight when the Dead appeared on SNL the night before! Since the Dead weren't playing Boston on this tour, and Providence was only an hour away, this was an easy show to get to, and we had a blast. The concert was great and we wanted more. On Monday, we made a big sign on a bed sheet in groovy Grateful Dead lettering proclaiming "I Need a Miracle!" To my knowledge, no one had come up with that before, so yes, I do take credit for that, and you are welcome. 

There's a gap in my memory now, because I don't know why we didn't have work on Tuesday or Wednesday - (or did we use up sick days??) - and if Patti were still alive, obviously she'd remember a detail like this.  But Tuesday morning we got in my car with our little bags packed, our banner ready and drove to Hartford for the next two shows.  Hartford is only an hour and a half from where we lived so I suggested we stop in Sturbridge on our way.  I think I was thinking we'd explore Old Sturbridge Village - as I am a sucker for those kinds of things, but instead we did a little shopping and each got a jean jacket.  We then continued to Hartford.


Michael and Patti in 1983 at Duke - Patti in her jean jacket.

Me, today, in mine.  I added the fringe in about 1986. The haircut I gave myself two weeks ago.

Back then, I had every confidence that we would get tickets for the shows, and find an affordable motel room.  Patti never had that kind of optimism and felt my reckless ways would be our undoing. So first things first, we got a room.  Next, of course off to the Civic Center to find tickets.  

I remember parking in an indoor garage, and opening the trunk to get our banner out.  No sooner had we unfurled our masterpiece - then two guys appeared out of nowhere, laden with gear.  Patti backed away, but I assured her they were okay.  Tapers.  Our miracle happened right then - they provided us with two tickets for that night's show, if we would help them smuggle in their taping equipment.  Apparently they never search girls, and if I'd just hide this deck up my skirt, and Patti put these cables in her jeans, we could have the tickets.  Before Patti could say no, I was agreeing, saying it was Karma!  And did they have tickets for tomorrow?  (They didn't but rumor was that they were available at the box office.)

So we spent the next little while doing what Deadheads may do, hanging by the car, sharing stories and of course these guys promised us copies of the tapes. (Which, by the way, I am still waiting for...)

When it was time to go in, Patti was a wreck, and I was pretty confident, despite the discomfort of the tape deck tied to my waist.   Once we got through the gates, we gave the guys their stuff and went our separate ways, they went to the taper's section, we went to the box office where, sure enough, we snagged tickets for the next night.

Little scraps of paper with setlists, ticket stubs, and that same jean jacket are the tangible remnants of that time.  My memories, (dotted with holes) now written for you in this blog, are of an April holding promise, and positivity. The shows, now available on archive, are below.   

A few days later we came home and celebrated Patti's birthday.  I'm guessing we both went back to work, energized by our road trip and three awesome shows. 

Right now as I sit in the sixth week of quarantine and the 12th week of rotten weather I remember a line that rings more true every time I hear it.  "One way or another, this darkness got to give."

And just like that, the sun has come out, and it's time to get outside for a few minutes and collect some rays on my face before I go back to work.  Maybe April holds a little promise for me today after all.




Click Here for Providence Civic Center 4/15/82

Click here to listen to Hartford Civic Center 4/17-82

Click here for Hartford 4/18/82



Friday, September 2, 2016

Happy Dead-a-versary

August 26
Later today, I'm going to have a conversation ABOUT being a Deadhead for my friend's podcast.  I'm not sure what we will talk about... not sure I have anything new to add to the listening world's already story-heavy compendium.

"...and then there was this one show..."

"... and we were all hanging out in the parking lot..."

"... and you know, Jerry looked right at me during the most perfect Dew... I'm telling you..."

"my best friend and I, we got separated and then during Scarlet we looked up and we were dancing RIGHT next to each other... it was magical!"

I don't mean to make fun of us, but you've heard it all before.  When we are in the moment there's no denying that the magic is there, but telling the story now, well, it makes us all sound like those callers that David Gans so gamely puts up with every Sunday on his Sirius Radio call-in show.

It's been 38 years of my life deadicated to the music. I'm not sure that just being a fan that long makes me an expert on any particular aspect of it all.

Certainly it was not a phase (as my parents had surely hoped) nor did it die when Jerry "shuffled off the mortal coil" (to quote Robert Hunter*)

Well, I guess I'll pick out a few songs from over the years and see where the conversation takes us.




That went pretty well... we chatted and had a few laughs.  I forgot the year I got married... and mixed up one piece of GD info (see if you can find it...) but I think it was ok.   Much of what we talked about has been covered in my previous blogs in much more depth and detail, which you can find by putting key words into the search bar.  (Up top, next to the "B.")  In the meantime, maybe I'll find some photos to go with the podcast to put here when it is published.  Or, broadcast. Maybe the term is "dropped?" Whatever.



It took me two days, but I just listened to the story of my life.  And wouldn't you know it, here it is. September 2.  The anniversary of my first Grateful Dead show. Which I tell about in some detail in the podcast, and more in a previous blog.  I posted on Instagram, and my cousin and I wished each other a happy first show anniversary... we didn't know it at the time, but we were about to have our little minds blown that day in September, and our love for the Dead has kept us connected through the years and through many many shows.

If you want to know more about any of the stories I mentioned in the podcast (link below) try typing in keywords into the search bar in my blog.  I think the hardest part was talking about the day Jerry died.  It's interesting, and maybe not something I should be saying so publicly, that some of the happiest and saddest days of my life have been wrapped around the Grateful Dead.
That time that Sun Becker was wandering through the crowd at Doubleday field.


Our dog, Jerry.  We had him and loved him for 11 years.  Like the one he was named for, too short a time on this planet.





Shots from my first show 9/2/78.
Since the podcast will give you links to the shows I referenced, here's the link to my first show.  Go on... click here.

And of course the podcast itself: http://www.podbean.com/media/share/pb-iya87-623a64
Also now available on iTunes, and at www.Strangersstoppingstrangers.com.

So, thank you to Staci Smith for giving me, and others the chance to relive these memories, and share them.  Check out her podcast and don't forget to support your local live music! I've posted this before, but here's an interactive state-by-state map that shows you where you can hear GD music in a town near you! GD Tribute Bands Map



*For a full account of that beautiful letter from Robert Hunter to Jerry, a year after his passing, please keep reading.  I have cut and pasted the entire letter below.  It's a bit lengthy but beautiful and and poignant.  Even after the "days between."  I don't know how I came across it, but I'm glad I did.

Robert Hunter's letter to Jerry 1 year after his passing
Dear JG,
it’s been a year since you shuffled off the mortal coil and a lot has happened. It might surprise you to know you made every front page in the world. The press is still having fun, mostly over lawsuits challenging your somewhat …umm… patchwork Last Will and Testament. Annabelle didn’t get the EC horror comic collection, which I think would piss you off as much as anything. Nor could Dough Irwin accept the legacy of the guitars he built for you because the tax-assessment on them, icon-enriched as they are, is more than he can afford short of selling them off. The upside of the craziness is: your image is selling briskly enough that your estate should manage something to keep various wolves from various familial doors, even after the lawyers are paid. How it’s to be divided will probably fall in the hands of the judge. An expert on celebrity wills said in the news that yours was a blueprint on how not to make a will.
The band decided to call it quits. I think it’s a move that had to be made. You weren’t exactly a sideman. But nothing’s for certain. Some need at least the pretense of retirement after all these years. Can they sustain it? We’ll see.
I’m writing this from England, by the way. Much clarity of perspective to be had from stepping out of the scene for a couple of months. What isn’t so clear is my own role, but it’s really no more problematic than it has been for the last decade. As long as I get words on paper and can lead myself to believe it’s not bullshit, I’m roughly content. I’m not exactly Mr. Business.
I decided to get a personal archive together to stick on that stagnating computer site we had. Really started pouring the mustard on. I’m writing, for crying out loud, my diary on it! Besides running my ego full tilt (what’s new?) I’m trying to give folks some skinny on what’s going down. I don’t mean I’m busting the usual suspects left and right, but am giving a somewhat less than cautious overview and soapboxing more than a little. They appointed me webmaster, and I hope they don’t regret it.
There are those in the entourage who quietly believe we’re washed up without you. Even should time and circumstance prove it to be so, we need to believe otherwise long enough to get some self sustaining operations going, or we’ll never know for sure. It’s matter of self respect. Maybe it’s a long shot, but this whole fucking trip was a longshot from the start, so what else is new?
Your funeral service was one hell of a scene. Maureen and I took Barbara and Sara in and sat with them. MG waited over at our place. Manasha and Keelan were also absent. None by choice. Everybody from the band said some words and Steve, especially, did you proud, speaking with great love and candor. Annabelle got up and said you were a genius, a great guy, a wonderful friend, and a shitty father – which shocked part of the contingent and amused the rest. After awhile the minister said that that was enough talking, but I called out, from the back of the church, “Wait, I’ve got something!” and charged up the aisle and read this piece I wrote for you, my voice and hands shaking like a leaf. Man, it was weird looking over and seeing you dead!
A slew of books have come out about you and more to follow. Perspective is lacking. It’s way too soon. You’d be amazed at the number of people with whom you’ve had a nodding acquaintance who are suddenly experts on your psychology and motivations. Your music still speaks louder than all the BS: who you were, not the messes you got yourself into. Only a very great star is afforded that much inspection and that much forgiveness.
There was so much confusion on who should be allowed to attend the scattering of your ashes that they sat around for four months. It was way too weird for this cowboy who was neither invited nor desirous of going. I said good-bye with my poem at the funeral service. It was cathartic and I didn’t need an anti-climax.
A surreal sidelight: Weir went to India and scattered a handful of your ashes in the Ganges as a token of your worldwide stature. He took a lot of flak from the fans for it, which must have hurt. A bunch of them decided to scapegoat him, presumably needing someplace to misdirect their anger over the loss of you. In retrospect, I think Weir was hardest hit of the old crowd by your death. I take these things in my stride, though I admit to a rough patch here and there. But Bob took it right on the chin. Shock was written all over his face for a long time, for any with eyes to see.
Some of the guys have got bands together and are doing a tour. The fans complain it’s not the same without you, and of course it isn’t, but a reasonable number show up and have a pretty good time. The insane crush of the latter day GD shows is gone and that’s all for the best. From the show I saw, and reports on the rest, the crowd is discovering that the sense of community is still present, matured through mutual grief over losing you. This will evolve in more joyous directions over time, but no one’s looking to fill your shoes. No one has the presumption.
Been remembering some of the key talks we had in the old days, trying to suss what kind of a tiger we were riding, where it was going, and how to direct it, if possible. Driving to the city once, you admitted you didn’t have a clue what to do beyond composing and playing the best you could. I agreed – put the weight on the music, stay out of politics, and everything else should follow. I trusted your musical sense and you were good enough to trust my words. Trust was the whole enchilada, looking back.
Walking down Madrone Canyon in Larkspur in 1969, you said some pretty mindblowing stuff, how we were creating a universe and I was responsible for the verbal half of it. I said maybe, but it was your way with music and a guitar that was pulling it off. You said “That’s for now. This is your time in the shadow, but it won’t always be that way. I’m not going to live a long time, it’s not in the cards. Then it’ll be your turn.” I may be alive and kicking, but no pencil pusher is going to inherit the stratosphere that so gladly opened to you. Recalling your statement, though, often helped keep me oriented as my own star murked below the horizon while you streaked across the sky of our generation like a goddamned comet!
Though my will to achieve great things is moderated by seeing what comes of them, I’ve assigned myself the task of trying to honor the original vision. I’m not answerable to anybody but my conscience, which, if less than spotless, doesn’t keep me awake at night. Maybe it’s best, personally speaking, that the power to make contracts and deal the remains of what was built through the decades rests in other hands. I wave the flag and rock the boat from time to time, since I believe much depends on it, but will accept the outcome with equanimity.
Just thought it should be said that I no longer hold your years of self inflicted decline against you. I did for awhile, felt ripped off, but have come to understand that you were troubled and compromised by your position in the public eye far beyond anyone’s powers to deal with. Star shit. Who can you really trust? Is it you or your image they love? No one can understand those dilemmas in depth except those who have no choice but to live them. You whistled up the whirlwind and it blew you away. Your substance of choice made you more malleable to forces you would have brushed off with a characteristic sneer in earlier days. Well, you know it to be so. Let those who pick your bones note that it was not always so.
So here I am, writing a letter to a dead man, because it’s hard to find a context to say things like this other than to imagine I have your ear, which of course I don’t. Only to say that what you were is more startlingly apparent in your absence than ever it was in the last decade. I remember sitting in the waiting room of the hospital through the days of your first coma. Not being related, I wasn’t allowed into the intensive care unit to see you until you came to and requested to see me. And there you were – more open and vulnerable than I’d ever seen you. You grasped my hand and began telling me your visions, the crazy densely packed phantasmagoria way beyond any acid trip, the demons and mechanical monsters that taunted and derided, telling you endless bad jokes and making horrible puns of everything – and then you asked, point blank, “Have I gone insane?” I said “No, you’ve been very sick. You’ve been in a coma for days, right at death’s door. They’re only hallucinations, they’ll go away. You survived.” “Thanks,” you said. “I needed to hear that.”
Your biographers aren’t pleased that I don’t talk to them, but how am I to say stuff like this to an interviewer with an agenda? I sometimes report things that occur to me about you in my journal, as the moment releases it, in my own way, in my own time, and they can take what they want of that.
Obviously, faith in the underlying vision which spawned the Grateful Dead might be hard to muster for those who weren’t part of the all night rap sessions circa 1960-61 … sessions that picked up the next morning at Kepler’s bookstore then headed over to the Stanford cellar or St. Mike’s to continue over coffee and guitars. There were no hippies in those days and the beats had bellied up. There was only us vs. 50’s consciousness. There no jobs to be had if we wanted them. Just folk music and tremendous dreams. Yeah, we dreamed our way here. I trust it. So did you. Not so long ago we wrote a song about all that, and you sang it like a prayer. The Days Between. Last song we ever wrote.
Context is lost, even now. The sixties were a long time ago and getting longer. A cartoon version of our times satisfies public perception. Our continuity is misunderstood as some sort of strange persistence of an outmoded style. Beads, bell bottoms and peace signs. But no amount of pop cynicism can erase the suspicion, in the minds of the present generation, that something was going on once that was better than what’s going on now. And I sense that they’re digging for “what it is” and only need the proper catalyst to find it for themselves. Your guitar is like a compass needle pointing the strange way there. I’m wandering far afield from the intention of this letter, a year’s report, but this year wasn’t made up only of events following your death in some roughly chronological manner. It reached down to the roots of everything, shook the earth off, and inspected them. The only constant is the fact that you remain silent. Various dances are done around that fact.
Don’t misconstrue me, I don’t waste much time in grief. Insofar as you were able, you were an exponent of a dream in the continual act of being defined into a reality. You had a massive personality and talent to present it to the world. That dream is the crux of the matter, and somehow concerns beauty, consciousness and community. We were, and are, worthy insofar as we serve it. When that dream is dead, there’ll be time enough for true and endless grief.
John Kahn died in May, same day Leary did. Linda called 911 and they came over and searched the house, found a tiny bit of coke and carted her off to jail in shock. If the devil himself isn’t active in this world, there’s sure something every bit as mean: institutional righteousness without an iota of fellow feeling. But, as I figure, that’s the very reason the dream is so important – it’s whatever is the diametric opposite of that. Human kindness.
Trust me that I don’t walk around saying “this was what Jerry would have wanted” to drive my points home. What you wanted is a secret known but to yourself. You said ‘yes’ to what sounded like a good idea at the time, ‘no’ to what sounded like a bad one. I see more of what leadership is about, in the absence of it. It’s an instinct for good ideas. An aversion to bad ones. Compromise on indifferent ones. Power is another matter. Power is not leadership but coercion. People follow leaders because they want to.
I know you were often sick and tired of the conflicting demands made on you by contentious forces you invited into your life and couldn’t as easily dismiss. You once said to me, in 1960, “just say yes to everybody and do what you damn well want.” Maybe, but when every ‘yes’ becomes an IOU payable in full, who’s coffer is big enough to pay up? “Fuck ’em if they can’t take a joke!” would be a characteristic reply. Unfortunately, you’re not around to explain what was a joke and what wasn’t. It all boils down to signed pieces of paper with no punch lines appended.
I know what I’m saying in this letter can be taken a hundred ways. As always, I just say what occurs to me to say and can’t say what doesn’t. Could I write a book about you? No. Didn’t know you well enough. Let those who knew you even less write them. You were canny enough to keep your own self to yourself and let your fingers do the talking. Speaking of ‘personal matters’ was never your shtick.
Our friendship was testy. I challenged you rather more than you liked, having a caustic tongue. In later years you preferred the company of those capable of keeping it light and non-judgmental. I think it must always be that way with prominent and powerfully gifted persons. I don’t say that, for the most part, your inner circle weren’t good and true. They’d have laid down their lives for you. I’d have had to think about it. I mean, a star is a star is a star. There’s no reality check. If the truth were known, you were too well loved for your own good, but that smacks of psychologizing and I drop the subject forthwith
All our songs are acquiring new meanings. I don’t deny writing with an eye to the future at times, but our mutual folk, blues and country background gave us a mutual liking for songs that dealt with sorrow and the dark issues of life. Neither of us gave a fuck for candy coated shit, psychedelic or otherwise. I never even thought of us as a “pop band.” You had to say to me one day, after I’d handed over the Eagle Mall suite, “Look, Hunter – we’re a goddamn dance band, for Christ’s sake! At least write something with a beat!” Okay. I handed over Truckin’ next. How was I to know? I thought we were silver and gold; something new on this Earth. But the next time I tried to slip you the heavy stuff, you actually went for it. Seems like you’d had the vision of the music about the same time I had the vision of the words, independently. Terrapin. Shame about the record, but the concert piece, the first night it was played, took me about as close as I ever expect to get to feeling certain we were doing what we were put here to do. One of my few regrets is that you never wanted to finish it, though you approved of the final version I eked out many years later. You said, apologetically, “I love it, but I’ll never get the time to do it justice.” I realized that was true. Time was the one thing you never had in the last decade and a half. Supporting the Grateful Dead plus your own trip took all there was of that. The rest was crashing time. Besides, as you once said, “I’d rather toss cards in a hat than compose.” But man, when you finally got down on it, you sure knew how.
The pressure of making regular records was a creative spur for a long time, but poor sales put the economic weight on live concerts where new material wasn’t really required, so my role in the group waned. A difficult time for me, being at my absolute peak and all. I had to go on the road myself to make a living. It was good for me. I developed a sense of self direction that didn’t depend on the Dead at all. This served well for the songs we were still to write together. You sure weren’t interested in flooding the market. You knew one decent song was worth a dozen cobbled together pieces of shit, saved only by arrangement. I guess we have a few of those too, but the percentage is respect ably low. Pop songs come and go, blossom and wither, but we scored a piece of Americana, my friend. Sooner or later, they’ll notice what we did doesn’t die the way we do. I’ve always believed that and so did you. Once in awhile we’d even call each other “Mister” and exchange congratulations. Other people are starting to record those songs now, and they stand on their own.
For some reason it seems worthwhile to maintain the Grateful Dead structures: Rex, the website, GDP, the deadhead office, the studio … even with the band out of commission. I don’t know if this is some sort of denial that the game is finished, or if the intuitive impulse is a sound one. I feel it’s better to have it than not, just in case, because once it’s gone there’s no bringing it back. The forces will disperse and settle elsewhere. A business that can’t support itself is, of course, no business at all, just a locus of dissension, so the reality factor will rule. Diminished as we are without you, there is still some of the quick, bright spirit around. I mean, you wouldn’t have thrown in your lot with a bunch of belly floppers, would you?
Let me see – is there anything I’ve missed? Plenty, but this seems like a pretty fat report. You’ve been gone a year now and the boat is still afloat. Can we make it another year? What forms will it assume? It’s all kind of exciting. They say a thousand years are only a twinkle in God’s eye. Is that so?
Missing you in a longtime way.
rh





Thursday, July 23, 2015

Hashtag GD 50

Did you hear that?

Yes, it's a collective sigh of relief.  Deadheads woke up on Monday, July 6 and the world seemed to still be turning on its axis even though presumably we said "fare thee well" to the boys the night before in a dramatic swan-song stroll down memory lane which was either seven months or 50 years in the making.
This guitar was later auctioned off to benefit the Rex Foundation.

Even so, still today, over two weeks later people are still posting a few more pictures on Instagram. Still tweeting out a few more clever song lyrics will make us all "favorite" it and retweet it to our own favorite Deadheads.  Facebook is still going strong with people's videos, and newspaper articles, bios, set lists, and a few late concert reviews.  Everyday is hashtag throw back whatever... and I have a feeling we haven't seen the end of it.  Being a Deadhead has become so mainstream, even the police cars in the San Francisco Bay Area have little stealies on them.
Yes, pretty mainstream, I'd say.


How were the shows?

This is not a review of the concerts, you can get that anywhere. I thought that all five were great.  The saga of my getting, or more precisely, not getting tickets aside*, the California scene was great, and I wish I could have enjoyed the Chicago scene as well, but it was not in the cards for me. If they had played another weekend in New York (or NJ) I believe they could have sold that out too. But frankly I'm not sure I could have handled the drama.  I read in one of the reviews that for many Deadheads, these will be their last stadium shows.  That is certainly true for me**.  The profound number of people was just staggering. All those humans!  Spending that much on parking, food, and beverages. $13 for undrinkable beer!!! Eternal lines at the concession stands and bathrooms.  My son said "Mom, stadium shows are a young man's game," as he left me in section 413 and deftly made his way almost to the floor for the entirety of Sunday's Santa Clara show.  So, it is "Fare Thee Well" to one thing... and that is humongous stadium shows and me ever touching a Bud Lite again!




  

But getting back to the shows themselves... I loved them all.   They were interesting... they were eclectic...mistakes were made and corrected... they were perfect in their imperfection.  The first show in California featured obscure rarities that only true Deadheads would grok.   July 3rds show in Chicago was all original Grateful Dead songs (no covers).  Only two repeats in the entire five nights (Cumberland Blues and Truckin')!!  The set lists were artfully created and flowed together***.  The drum solos boomed and shook like old times.  Fireworks lit up the sky and even the Empire State Building joined the fun.   We sang along and we laughed and cried.  We missed Jerry and yet we felt him there.  We hugged our friends and we really did stop strangers just to shake their hands.  Maybe we hugged them too.

And what about Jerry?

Unbelievably, Jerry has been gone 20 years next month, and it's obvious that the music hasn't stopped and never will. To those who continue to say things like, "well he doesn't play it like Jerry," or "he just doesn't sound like Jerry," I say once and for all THAT'S RIGHT! And no one ever will.  If you want to hear Jerry, play one of the thousands of hours of unbelievable musical gifts he left us.  If you want to hear some guys who come pretty close to playing and sounding just like Jerry, check out John Kadlecik or Jeff Mattson.  But it's really time to quit whining.  Nothing's gonna bring him back.


An impromptu tribute to the man we were missing.
Sunday's show included a moment of silence, and they showed photos of all those members of the band and crew who had died.  It was very touching.


And what about Trey?
From the first announcements until the last bow, that grinning ginger has been in the Deadhead limelight.   Any writer who had the audacity to call him "the new Jerry" or say he "took Jerry's place" is a piker who didn't do his homework. But Trey's guitar playing was top notch, and his voice is his own.  And did he look like he was having fun or what???  I still will not become a Phish fan anytime soon, but I was happy with the sound, the vibe and the energy that I saw and heard onstage.
I found this on Instagram and it cracked me up!
Peter Shapiro: God or Grinch
Peter Shapiro, the impresario of  my favorite local music venue, The Capitol Theatre, and it's super cool little brother, Garcia's, has become the modern day Bill Graham.  A Deadhead who made this happen and tried to do the right thing along the way.   A lot of people don't like him, and I've read some downright ugly things about him, but hey, he pulled off the whole shindig, and has been bringing us amazing shows.  And like him or don't, but the truth is it's never okay to slander someone, or use the anti-Semitic language I have read when referring to him or to anyone.  I can't consider people who hide behind names like Kosmyk Charl-E and spew hate the true Deadheads. 


So now what?

Is the music really going to stop now? Don't be silly. As of this moment I have tickets in hand (well, not in hand, or how would I be typing?) to see Phil Lesh, Bob Weir, and Billy Kreutzmann, all before the end of the year!  Does that sound like #faretheewell???  It's news to basically NO ONE that Bob Weir is planning a tour with John Mayer, Mickey and Billy.  There's a renewed interest in the Grateful Dead that we haven't seen in years.  (I'm not even sure I like it, to be honest!)  There are rumors of another GD tour! (Again, see **)  In the meantime if you are in the mood for some good old Grateful Dead music and you want it live and local, check out this website http://gratefuldeadtributebands.com/.  You can support local talent and get nice and close to the stage too!

My relationship with the Grateful Dead has had a lot of ups and downs over the last seven months. I'm ready to ease back in to my comfortable routine of normal obsession now and focus on the rest of my life with balance and clarity.  The music of the Grateful Dead will continue to move and inspire me, and I will continue to pay ridiculous prices to see "the Core Four" play as long as they continue to play, either apart, or, if we are so lucky, together.  


I'll leave you with this gorgeous gem.  You may have seen it already, but enjoy it again.  Ripple video - Playing for Change


My son and me, right after we found our seats in Levi's stadium, about an hour pre-show.

Our mini-tailgate in one of the massive lots in Santa Clara.




*You can read about that in this blog.
**Unless they "surprise us" and announce more shows... check out this article!
*** Okay, so you know what? I bet  we all have our personal comments about the set lists.  I myself may have said "It's too soon for Standing on the Moon.  And BOB should be singing it!" But let's keep it positive, eh folks?

Monday, January 26, 2015

Fare Thee Well - I Love You More than Words Can Tell

Please click here to get some music going



Let me just start by saying this will be about the Grateful Dead, a band that I, and many others, have been slightly obsessing about. 

And no, not since they made the big Chicago concert announcement in mid-January of 2015... but since whenever it might have been that we were taken gently by hand and helped up on the bus.

Let me continue by saying I will not be ranting about... um... anything.  Not the lineup for the 4th of July shows.  (Go to any Facebook group if you want that.)  Not prices of tickets or the fact that it is IN Chicago itself, or the fact that it's going to cost an arm and a leg to go, get a room, and somehow get tickets for all three nights.  Because they can charge whatever they want and have this thing whereEVER they want and I know I won't miss it.

So what is it?  What's so compelling about the Grateful Dead that we drop everything, go out on school nights, stay in crappy hotels, drive across the country, deplete our bank accounts, and absorb social media like high school sophomores?  Why am I still writing down every song that Phil plays (albeit on my iPhone now) when I know that in less time than it will take me to get home from the Capitol Theatre, it will be posted on at least 2 sites on Facebook, not to mention the great website, Deadheadland.com.   Why do my girlfriend and I giggle like tweens when we spot Bob Weir's bus pull in to the parking lot of the venue he's about to play?  Let's take a little walk down my personal memory lane and see what we can figure out about the greatest band in the land.



Well, would you look at that... Bob Weir's Tour Bus... and isn't that John K. right there?
Yes, yes it is.  We waited for over an hour, but Bobby was taking a well deserved nap in the back, and we never saw him
emerge from the bus.  Asbury Park, NJ   Summer 2014

When I first heard the Grateful Dead, I was in the freshman dorm room of a few friends (one of whom would become my husband) and their goal was to turn me on to the music.  Wisely they chose American Beauty.  I couldn't believe what I was hearing.  I had heard of the Dead, but I only knew Truckin' and I thought the music belonged only to the stoners who cut classes in high school.  I was all about the Beatles, and the Beach Boys and Billy Joel.  Music you could sing along to!  I loved to go to concerts and had seen quite a few already by age 17.   But here was American Beauty, with it's rich textures and it's harmonies.  And yes, songs you could sing, if no one else was around to shush you. Bring on Workingman's Dead, please.  


Workingman's Dead.  So great.  Kids these days don't listen to albums, they listen to songs.  Actually I do too.  But these early albums are so rich and delicious.
(Later, my mind was to be completely blown by Mars Hotel.  BOOM.  But this blog would go on forever if we started talking about every album and every concert...)

I started buying records like crazy, but my boyfriend assured me that the records were nothing compared to a live show.  I didn't quite get that from the few poor 12th generation audience cassette tapes he had, but I was game to go to a concert, and in September of 1978, we got tickets for my first Grateful Dead concert. Interestingly, I'm the one who got the tickets, for Giants Stadium in NJ, even though we were back at school already, in Boston. (And I'm still the one who gets the tickets, all these years later!)  I'll never forget that night, my boyfriend's cute older brother, and his adorable friend drove down from Maine and picked us up at college.  I felt like the belle of the ball, in my chariot, off on an adventure.   They drove through the night, as we slept in the back seat.  We got to NJ, and I directed us to a diner for breakfast.   In retelling the story recently, someone reminded me that we ran into friends of my parents, who did not know we were coming to town.   The concert was not the OMG experience that I was hoping for, although I did love the people and I remember my boyfriend  bought me a rose from a vendor who was passing through the stadium seats.  I was hooked after that.  

So many concerts since that time.  Hundreds. More probably.  Memorable shows.  Musical elipses where I was transfixed.  Transformed.  Taken to another place altogether.  Elevated spiritually and emotionally.  Songs where the words meant so much that tears came to my eyes, or the music was so strong that I had to move away from my seat to dance in an open space.  Magical moments where words I have heard a thousand times before take on new meanings and become entirely relevant to what I had been going through. 


Then: Cal Expo May 3, 1986



And now(ish): Nateva Festival, Oxford Maine, Summer 2010



And then there is the community.  I may as well say that I do not quite "fit" into every community out there in the world.  But finding the Grateful Dead and the community of their fans was like coming home.  When we meet one another out there in the world, and learn that we love the Dead, it's like we are members of a club and we all know the rules.  I admit that sometimes people forget them, or break them. That's disappointing. But mostly I have found a generous, kind, non-judgmental, open-minded, community in the Grateful Dead fan community and that works for me.  People who don't push in line, and will sell their extra ticket for face value (or less).  People who will hug you the first time they meet you, or buy you a water BEFORE they meet you because you are behind them on the concession line and you picked up and returned the dollar they dropped.   

Will Chicago be the real end of a story that had its beginning in 1965?  Who knows.  It will be the end of something for sure, probably stadium shows for the Dead, and for me.  I do believe the kind souls who go by the name of Deadheads will figure out a way to get themselves there.  Hopefully we will get tickets through mail-order, or through the online sales, and not have to pay inflated prices.  (If I have to pay higher prices than the ticket price you might wind up reading a different type of blog soon!)

But I do know that I am going to go, and bring love and light with me.  I will surround myself with the people I love and listen to the music I love.   I'll think about Jerry Garcia, and miss him, as I do all the time, and I will love and appreciate Bob Weir, Phil Lesh, Mickey Hart and Bill Kreutzmann, the "Core Four," as I have for the past 38 years.  I'll love whatever they decide to play, and rejoice in the people they've chosen to play with: Jeff Chimenti, Trey Anastasio and Bruce Hornsby.

"Just dust those dusty strings off one more time..."



Another one from the Cal Expo, May 4, 1986

Yes, this happened. How could I not include it. Dec. 5, 2013

Okay, this show gets my vote for the all time best concert ever. Thanks to DD for finding this. 



Can this really be the end??



Furthur reading on this topic (just click on the links): 
Grateful Seconds  
Grateful Dead For Dummies / Endless Jams
http://www.gratefuldeadguitars.com/

Or try putting Grateful Dead into the search bar for some of my other blog posts about the Grateful Dead. 


And one last thing... who should have been included, in my humble opinion?



Update : I wrote this one week ago.  I mailed in for my tickets on the mail-in date, and now check my mailbox like a crack addict (I guess) because people have started to get what I refer to as the "pink slip," a polite rejection letter from GDTSTOO saying how high the demand is for tickets. For the record, this is the back of my envelope, on top of the album I was drawing on.  For you younger folks, that's a record album, the way we used to listen to music before computers let you magically hear it by just wishing it to play. 

Update March 7, 2015:  It's now been over a month, and I have not received my money orders back, nor have I received what I've come to call "the golden email," that email that so many people received from Grateful Dead Ticket Sales Too saying that their ticket request would be filled. I tried to buy tickets online, and struck out.  So I'm sitting here in limbo.  My confidence that I'd see my fellow fans at the show is starting to waver.  And quite truthfully I feel as thought I've been on a roller coaster ride.  Not a new fun one, but an old one that's uncomfortable (think: Coney Island Cyclone) where the highs are kind of fun, but the twists and turns hurt really bad, and to make matters worse, your best friends, who have always brought you comfort, since 1977, are nowhere to be seen, and the cause of the pain. I have finally reached stepped off the coaster.  I had to.  If I go, I will have a great time, I know.  And if I don't go, I will have a kick-ass party in my back yard, like I sometimes do on July 4 weekend.  I won't go sit in a movie theater and watch what I'm missing.  I won't check my phone every 5 minutes for the Facebook messages and Tweets to see what "final songs" I'm not hearing.  I'll crank that beloved Lewiston show (September 1980) for my guests and try not to sour-grapes it too much. 

You know what they say... If the thunder don't get ya...

Update April 6, 2015:  I received my money order back about 2 weeks ago.  It was too depressing for words.  So I didn't write any.  But it may just be that I will get to go to one of the shows in Chicago.  We shall see.  I have not given up yet.
This hangs in my hallway. The ad from the paper and my rejection letter. 


Final Update:
I didn't make it to Chicago after all. But I got tickets from a good friend and went to the two shows in California. I had a fantastic time. I watched all three Chicago shows on Pay Per View, enjoying the last one at the Capitol Theatre in Port Chester, NY with a room full of Deadheads.  
Me: Wow, so many young people are really enjoying this simulcast, don't you think? 
My son: Yea, mom. That's because everyone your age made it to Chicago.


8/28/17 - I have disabled comments on this post.  For some reason I receive about 20 spam comments A DAY - clogging up my inbox - just to this blog post.  I don't know why.  If you have a real comment, then you are a real human and you will figure out how to get it to me some other way. 

In other news, I just saw Bob and Phil play together at Lockin' via a live stream (thank you Pete Shapiro, YouTube and Lockin' Fest) and it was fantastic. 



Saturday, May 31, 2014

Strangers Stopping Strangers

For most people, it was a typical Wednesday night commute.  Not for me, since I don't live or work in New York City.  I was on the train, heading in to go to a concert, to see my favorite bass player*, Phil Lesh, in  a concert in Central Park.  So while most people were just thinking about getting home, I was excited to meet my brother and friends for a fun night under the stars, listening to my favorite music.  I knew the band Phil (we all call him Phil, with love and reverence) had put together would be stellar, and historically, New York City seemed to bring the best out of him.

The ride from my town to Secaucus was uneventful.  I texted with the people I was going to meet, and did a crossword puzzle.  At Secaucus I had to change trains for New York's Penn Station.  This is a 16 minute trip that delivers you right underneath Madison Square Garden.  It's the best if your concert is right there, but still pretty handy to get anywhere else, because it's a subway hub.  (Not that I have the slightest idea which subway lines go where, but luckily, my brother does.)

It was on that 16-minute ride that something somewhat extraordinary happened.

I found a seat right away, and gave the guy already sitting in the other seat the "mind if I sit here?" look.  He moved his stuff away, but apparently he did mind. He was wearing khakis, and a short-sleeve plaid shirt, and now put his brief case on his lap to make room for me.  He gave me a sort of put-off quasi-disgusted look, as if I just ruined his day.  (Yes, I had showered that day, and NO I was not wearing patchouli oil.) I sat down, putting my bag with the concert supplies on the floor, and my pocketbook on my lap.  He took his phone out and was furiously texting or emailing. 

As the train started to go, we sat like that, in silence, ignoring each other. I was lost in thought.  He was typing away on his phone.  

About 6 minutes into the ride the door between the cars opened, and a man came stumbling into our car. He seemed to be an older guy, pants drooping down, three or four shirts sloppily layered on, with a torn jacket over all of them. As I was on the aisle, I could smell him as he walked by, an unpleasant smell of urine and something else... beer maybe?  His hand was out, and I remember his hands most of all. Gnarled knuckles, and fingernails that were too long.  They looked like old man's hands. I saw two different sleeves, frayed and torn. 

And he was shouting this up and down our car,  "I need two-fifty for the 3 train uptown. I need two-fifty for the 3 train uptown. Who's gonna give me my two-fifty for the 3 train uptown?"

Everyone looked down.  Or out the window.  Or at their iPhones, which don't work under the Hudson River. But I didn't look away. I looked at this guy.  Wandering on a train asking for $2.50. 

And I did what I always do.

I took out my wallet.  And if the story ended there, I would not be writing about it.

But as I was getting money out for this man in need, Mr. Plaid Shirt was taking out his wallet, and saying to me, "I'll split the difference with you."  

I just looked at him, and started to smile.  

He continued, "If you will give it to him."

I took the dollar from Mr. Plaid Shirt and took a dollar from my wallet, and stood up and yelled, "Excuse me, sir?" and the man stumbled back to where we were sitting and took the money.  He had almost left the car when he remembered to mumble, "Gah bleh you" before the door slammed shut.

Plaidman was a different person now. He smiled at me and said, "I was making all kinds of excuses in my head about why I couldn't give him the money.  I can't reach my wallet.  We're almost at Penn Station. What if it's not safe to give it him?  What if he just spends it on drugs?  Then I saw how easy it was for you to do it and I realized I could do it too. Thank you."

"Yea," I said, "It's not up to us to decide what he might spend it on, it's sad enough he's at the point where he needs to beg. I give it to him and remember to be grateful that I can."

My new friend smiled and admitted that he always wants to give, but he just walks past "those people."

Remembering the countless stories I'd heard from people who had found themselves homeless, I said, "If, God forbid, I am ever down and out, I hope my acts of kindness will come back to me.  Maybe your act today will start a chain of good deeds."

"I was thinking that maybe by helping that guy, I just prevented something really bad from happening to me," he replies.

"Oh, I never thought of that.  So if you go and have a fantastic day, you'll know you got your reward?"

"Something like that!" he says, and he is smiling now.

"I picture you walking around the city, just barely missing pianos and anvils falling on your head!  You could write a children's book about that!" I say, now really enjoying the idea of doing a mitzvah and protecting yourself from harm.

"I think that's for other people to do."

We are almost at Penn Station.  We are both standing up near the door.  I wonder if he will be empowered to give to the next person in need.  He is certainly a different person than the one I sat next to 14 1/2 minutes ago.

We say good-bye.  He goes off to his life, protected, I hope by his act of kindness.  I go off to mine, already in progress.

As a reward for my act of kindness, Phil plays a song just for me.  I hold it close as the music and words pour into my soul and fill me with joy. 

And for a little while, all is right with the world.


Photo credit: Jack Baribault
Pictured: Jack, Peter White, me, and my brother Geoffrey's back. I forget why we are showing the number one. Maybe someone can enlighten me. 



*Phil Lesh is my favorite bass player, except for my cousin, Rick Cantor.